Windy City Jumps the Shark

Okay, Windy City totally jumped the shark today with the whole loan shark business. The manager goes alone to a loan shark on company business? And gets beaten up? And is found by his mistress? Give me a break!

This hasn't been a great season of Korean dramas. So many started off well and went stupid or boring: My Precious You, The Iron Empress, Again My Love, Good Bye Solo. Even The Road Home has quickly become tedious and now I'm just left wondering who's going to get leukemia because someone always get leukemia in the Land of the Brain Dead Dramas (that horrible drama You Are My Destiny had two cases of leukemia!). I really had high hopes, too. But did we really need characters getting beat up by homosexual husbands and keeping pregnancies secret? And yet another rich brat? Again, My Love also seemed interesting, and then it just got hysterical, just like My Precious You. Even the acting is just too much. About five years ago, the height of bad acting in the US was that clenching of the jaw — yes, every time a character got angry, the actor clenched his or her jaws like some kind of pantomime. Now, in Korean dramas, any time a character gets angry, it's that camera shot of him or her clenching the fist into a tight little ball of fury. Don't the producers think the music is enough anymore? Because it used to be that every time someone got angry on screen, the angry music came on. Or the lust music or the sad music. Windy City is the worst offender in the music category. Like the romance between the manager and his young, pathetic subordinate isn't gross enough, they have to go and add that nauseating music on top of it. Ughhhhh!

Now my rant is over, I should mention two dramas that I think are working. Both, interestingly enough, take place in the last century, My Dad Loves Trouble and Splendor of Youth. The backdrop of My Dad Loves Trouble is the Korean War, but it's not about war at all. It's not even a drama but a comedy, about a young girl who has the most obnoxious, irresponsible dad in the world. How can you love a dad who only cares about himself, abandoning you and your family in the middle of a war so he can go off and have a good time? The girl decides you can't, until her father does something pretty splendid to regain her faith. Splendor of Youth is a drama and is much harder to encapsulate. It takes place in the 60s, in a small town, focusing on several families who are bound together by a rivalry between bus companies. Most of the central characters are young, thus the title, but the drama isn't Gossip Girl. Family is really its interest. And while there are rich girls being bratty, the characters are a tad more rounded than the typical dramas, so the stories more interesting. There's even gender exploration, girls beating up thugs, boys sewing clothes for girls. All in the 60s!

What's With the Subtitles on Windy City?

There's really nothing too remarkable about the Korean drama Windy City. It's a nice soap opera about a bunch of unhappy people becoming even more unhappy. In fact, the only thing that stands out for me is how really, really bad the English subtitles are, even for a Korean drama. I thought the subtitles at Arirang TV were bad, but nothing like what I'm seeing on Windy City.

Now, I can forgive the occasional proposition error like using "for" instead of "to". You have to be a native speaker to get the nuances of propositions. Propositions are so cultural and never make sense. But outright stuff, stuff that looks like it was spat out by some computer program, is just not right. Examples:

"She's going to hit the buyers at their 20s with the outfit."
"It was senseless of me to rain abuse."
"It still has lots of memories." (This is in reference to the memory card on a digital camera. Although, I have to admit, I thought this mistake was kinda cute.)
"We're going to take photos of yours." (For "We're going to take pictures of you.")
"You're such a counterfeit."

When things get really laughable is when Windy City tries to be hip and use slang. Like using "got" inappropriately.

"You still got a cold." (This from an elderly lady. Even senior managers end up sounding like home boys, saying things like "I got my lunch".)

My favorite was when an elderly parent called his son a prick. The insult was unintentional, let me tell you.

And the translators seem to be completely unaware of how to deal with pairs and couples. Like whenever they have to talk about a couple, they end up with something really mangled like "the Jeongmi and Wook-Hyun Seo couple" when they should have simply said, "the Seos". I mean, that has to be coming from a software program. A really bad software program.

I've never really understood why Koreans are so sloppy about subtitles and translations in general. Even products shipped to the US have the worst translations. Before the economic collapse, there was all this talk about the Korean Wave and how Korea was going to push its food and culture around the world. Well, if you can't get the small details right, like language, you're just going to end up looking like a joke. Try substance over hip, the basics over slang. It's stupid how many times I've seen Korean dramas misuse "my bad". Look, "my bad" is complete slang used by a small population of people, usually for comic effect. It is not appropriate coming out of an elderly patriarch during a sobering apology! Unless the elderly patriarch is an alien played by a muppet!

Come on, Korea! Get your act together!

Can Korean Dramas Make an Impact in the US?

I was delighted to find out that the "Mom's Dead Upset" entry was recently mentioned in a book review at The Learned Fangirl blog. One of the books Fangirl reviewed was Mark James Russell's Pop Goes Korea and TV Kitty gets involved when Fangirl questions Russell's statement "Korean television also travels poorly to the West, coming across as histrionic soap operas. … But for people used to C.S.I. and The Sopranos, there are only so many stories of separated twins and dying lost loves that one can take."

Fangirl points out that more and more US audiences are being attracted to these "histrionic" shows. That got me thinking and I'd like to bring out some more points. Korean soaps and dramas do tend to strangle themselves with the same bag of tricks: orphans, incest issues (mainly the cultural ban on in-laws marrying in-laws), obsessive love, poor girls marrying rich boys, rich girls making poor girls miserable, the mother-in-law from hell, etc (did I mention orphans?). But US soaps and dramas have their own bag of tricks, so nothing new there. And, if you've been watching the latest wave of Korean shows, you'll see that even Koreans are getting sick of those cliches. One of the reasons I loved Mom's Dead Upset was precisely because it wasn't the usual Korean drama. And the same can be said of so many of the latest popular Korean dramas and comedies: Princess Diaries, a.k.a Goong (a wonderfully imaginative story that asks "what if the Korean royal family were still around?", adapted from a comic book), Women of the Sun, Couple or Trouble (a remake of the US movie Overboard, but so much better), Windy City, etc. There's even Worlds Within (a dramedy about the Korean TV drama factory) which basically pleads with all its heart for more innovative Korean dramas. The Korean TV industry is in the middle of a huge creative drive, probably inspired by the drive in the Korean film industry.

But going back to Mr. Russell's statement, I find there's something very basic that he's not getting. He mentions CSI and Sopranos and how that's changed the viewing tastes of Americans. I'd dispute that. I'm always surprised by how popular shows like Brothers and Sisters and Two and a Half Men are. Nothing innovative about these shows. Brothers and Sisters could have been made in the 70s — just replace the gay relationships with interfaith or something. And what about Privileged? Poor girl, abandoned when young by mom, gets job tutoring rich girls and falls in love with a rich guy. Gee, sounds like a Korean show. Her mom even defrauds the rich guy — a classic Korean plot device (what's a Korean show without someone running away with a chunk of cash). Also, aren't shows like CSI and Sopranos mostly watched by men? And as a man, isn't Russell completely dismissing the female demographic? Just like Hollywood has historically done to its detriment? Korean TV dramas and comedies attract women viewers. Winter Sonata was hugely popular with women all across Asia. And if you go into US message boards about Korean dramas, it'll be mostly women posting. Guns, blood, dead bodies and slick who-done-its are the kitsch of men. Long lost loves, torn families, Cinderella stories are the kitsch of women. Go figure.

And I'll tell you one thing I like about Korean shows versus American shows: there's this unabashed, uncynical love of sentimentality. These shows say there's nothing wrong with wearing your heart on your sleeve. And how wonderful is that?